It’s one of those days when I
struggle with my writing. Yes, it comes and goes. It has its ebbs and flows.
And so to take me out of the doldrums, I’m forcing myself to remember writer character in films who had wrestled with their own writing dilemmas. Something
to remind me that I’m not alone on this solitary endeavor.
One such film is Finding Forrester starring
Sean Connery, a film about an African-American teenager who accidentally came across an
old reclusive writer who eventually became his writing mentor.
“Constipated writing” and “Where are you leading me to? were some of the acerbic comments Connery's character initially dished out on the boy's journal. And I couldn't help but smile and recall almost the same comments I got from a senior writer in
a workshop. Comments that led me to bristle inside because really, who wants to be called on one's work, when you have poured your blood and guts into it and someone
trips you with its flaws. It’s like someone criticizing your
child. But in the end, I appreciated it because sometimes, you need a mentor who can
point out the constricted parts of your story and tell you what doesn't work.
Forrester, Sean Connery’s
character also noted that an aspiring writer should also be careful who they share their work with because some people have their own prejudices like the teacher/writer in the film who accused the boy of plagiarism. This professor can't seem to come to terms that a young, African-American male from the Bronx can write well. That good writing can also sprout from one of the unlikeliest places he can imagine and not only in schools with the best writing programs.
Here are some of my favorite quotes in the movie:
"You write your first draft...with your heart. You rewrite with your head. The first key to writing is...to write. Not to think."
"Someone I once knew wrote that we walk away from our dreams afraid that we may fail, or worse yet, afraid we may succeed"
Another film that have also been my writing inspiration is Woody Allen’s Midnight in Paris. I love the cinematography
of the movie, the beauty and splendor of Paris by day and how it looks in the
rain at night. Truly, Allen must have been in love with the city because his
shots were enigmatic like a smitten guy showcasing his ladylove’s alluring profiles. But Paris does look magical especially when you see
the Eiffel Tower’s twinkling lights under the moonlight.
The film is a story of Gil, a
writer who travels back to the 1940s in Paris at the stroke of midnight. There he met the almost alcoholic Hemingway and the party animal F.Scott Fitzgerald and his fiery wife Zelda. He also met the solid writer-critic Gloria Stein. Watching the writers' quirks and hearing their quotes were some of the entertaining portions of the film. Below is my favorite part, an excerpt of Gil and Hemingway's banter.
Gil: I would like you to read my novel and get your opinion.
Hemingway: I hate it.
Gil: You haven't even read it yet.
Hemingway: If it's bad, I'll hate it. If it's good, then I'll be envious and hate it even more. You don't want the opinion of another writer.
Other great artists were also featured in the film like Picasso and Dali, each with their own brand of temperament and wit. And honestly just the sight of these prolific artists made me realize one thing, good art can outlive its creator. It can go on and on and be appreciated by future generations, its impact withstanding the rigors of time and change and its creators forever immortalized on films such as this. Given that, I want to be immortal too J
Gil: I would like you to read my novel and get your opinion.
Hemingway: I hate it.
Gil: You haven't even read it yet.
Hemingway: If it's bad, I'll hate it. If it's good, then I'll be envious and hate it even more. You don't want the opinion of another writer.
Other great artists were also featured in the film like Picasso and Dali, each with their own brand of temperament and wit. And honestly just the sight of these prolific artists made me realize one thing, good art can outlive its creator. It can go on and on and be appreciated by future generations, its impact withstanding the rigors of time and change and its creators forever immortalized on films such as this. Given that, I want to be immortal too J
Midnight in Paris starred Luke Wilson, he portrayed a writer from Hollywood who wanted to take a shot at writing a novel. He had
doubts if he could make it as a novelist one day and not only be stuck churning out scripts for Hollywood. But his fiancée, Rachel
McAdams, a practical woman couldn't get it, why he needs to move to
Paris to write his novel when they are living cushy lives in the States already. But his surreal experience in the 40s had already changed him, he wanted to give
his dream a shot. So he ended his engagement to his cheating girlfriend and decided that he will move to Paris. And one night he ran into the Parisian girl he met in a flea market, the one who loved the city like he does and the one who didn't mind walking in the rain.
Remembering both films have been inspiring. It makes me want to continue learning about this craft. Of pushing myself to be better. It is hard work really but I'd rather be doing this than something else. And when I'm in the doldrums again, I can tell myself that I'm never alone on this journey. There are also others like me, deep in thought, stringing out the most succinct words to get the most fluid of sentences and battering themselves over and over, asking themselves if they edited enough J
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