I’m not a fan of the Batman movies,
I just like watching its action sequences. So this is not the “Man, that was
awesome” review kind of thing. This is just my ten cents worth because it still
made an impact on me. Maybe because it was probably one of the disturbing
pieces I have seen lately and its connection with the Colorado shooting didn’t
help.
Moreover, like one film reviewer said, there was more yin and more yin in
it. And I agree, you don't leave the theater quite satisfied that evil was
triumphantly vanquished especially after so much horror Bane brought the city
in. The climax of this character with Batman could have been more explosive or
grandiose. Batman could have ended this evil with the same measure it has
wreaked horror and dread among the people.
I know Batman lives in the
shadows and Christopher Nolan thrives in it. He, who has created a dark world
with tortured characters in chiseled costumes and unsettling face paint. He
creates dread like he revels in it. His Joker is still one of the most eerie
villains in superhero film history and Bane another monstrosity that strikes
fear in you with its sheer heft and power, a formidable enemy to Batman
physically. His Darth Vader and Hannibal Lecter type contraption also made Bane's voice more ominous, layering more evil to his imposing size.
If you want to talk about
darkness, this film has it, the darkness of the soul, the fear, the lies, the
deceit. It is as dark as Gotham gets. Good thing, there are scenes in daylight
otherwise, if it was almost shot at night, it would have been more bleak. But
the action sequences were good. The chase, the fighting and the Batman
vehicles, his hovercraft like machine was unlike anything I ever saw. Quite
imaginative, letting the comic book inspired side of the franchise come to
life.
Though, I did not leave the
theater exactly glowing, I will choose to remember the good parts I saw. The
light that came with the dark, as thin as it is compared to the overall
darkness. Michael Caine’s concern for Bruce Wayne like a father to a son was
heartfelt, it was a surprise but a good one at that. As a parent I know I would
feel the same. Then the comeback of Bruce/Batman after Bane broke him
physically and psychically was also good. His personal triumph and his escape
were inspiring, overcoming the almost insurmountable. I liked that. Also Joseph
Gordon Levitt’s moving performance as a police officer with Bruce Wayne was
good too.
With the women, well, I’m sorry,
I will always like Michelle Pfeiffer’s Catwoman so Anne Hathaway’s version was
just good enough for me. Maybe remembering her as Princess Mia in the Princess
Diaries was distracting. Maybe Marion Cotillard could have tried the catsuit, I
don’t know, for a change maybe. Because after watching her performance in the
French film Le Vie En Rose, her acting here was underutilized. And the end of her character like Bane was
also unsatisfying. Like the writer-director was hesitant to end his evil
creations with a bang.
I know Christopher Nolan’s Batman
is supposed to be broody and angsty. That his Batman films are a different take
on superhero films. Yes, I commend him on that. He veered off from the cartoony
and fantastic superhero films of old.
But if highlighting this angst would be the trademark for other future
superhero films then I find that a little disturbing.
Superheroes are supposed
to bring light and hope to humanity not reflect its desperation, fear and anger
with graphic intensity. We have so much
of that in the real world, thank you very much. Good thing, the Avengers
brought that piece of hope to us even if
it looked like a little boy’s action figures come to life stupendous fantasy while
Spiderman teetered on the brink exploring teenage angst while hanging on to his
Uncle Ben’s adage, with great power comes great responsibility. Bless Martin
Sheen for his performance there.
So if I’m holding my breath on
Nolan’s Superman next year. I’m not really sure. I saw a clip of Clark on a
boat, like a fisherman. Hmm...Ocean and Superman, interesting. Fine, I’ll
suspend my judgment after I watch it. But if Nolan brings about the angst
again, the tortured soul bit, or his grand scale evil, I sure hope he
counteracts it with the same balance or maybe greater display of heart
bursting, panoramic combustion of the triumph of goodness, of hope because in
the real world, it is something most of us still hang on to.
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